Hauntings

Popular Film and American Culture 1990-1992

By Joseph Natoli

Subjects: American Culture
Series: SUNY series in Postmodern Culture
Paperback : 9780791421543, 250 pages, November 1994
Hardcover : 9780791421536, 250 pages, December 1994

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Table of contents

Prologue

Basic and Postmodern Instincts: The New Popular Realism in Film

Hunting the Haunted Heart

Moving Laterally across the Capes of Fear

Rebels and Rioters with Unsayable Causes

Home Alone Watching the Rodney King Tape, Or, Having Jeffrey Dahmer Over for Dinner

Rocking the Cradle of Family Values

Free Market or Free Play?

Intermezzo: Between Film and Culture

The Free Play of Popular Film

Geckoid Democracy and the Garfieldian American Dream

The Unforgiven: Histories and "Indians"

Robbin' N' the Hood N' the Nabe

Guns and Provolone: 'Wilding' and Wiseguys Doing the Wrong Thing

After Bob Roberts: Was This a Postmodern Presidential Campaign?

The Final Dance around the Planet: Green Space versus Self Space

Notes

This book is about the way that popular film brings to a "sayable" level that which haunts us in the media headlines.

Description

We are haunted by what we cannot fully identify, by what we cannot make identical to what we already are, have, and know. AIDS is visible, as is the South Central Los Angeles riot/revolt, the dead eyes of Amy Fisher, the pubic hair in Clarence Thomas' Coke, the Branch Davidian Compound shimmering in the distance, and much more. The intensity of all this does not escape the general public. Popular film plugs into this haunting power because it attracts a mass audience. This book is about what haunts the headlines as well as the Big Screen in America during 1990-1992.

Joseph Natoli teaches postmodernism at the Center for Integrative Studies/Arts and Humanities at Michigan State University. He is the editor of Tracing Literary Theory, Literary Theory's Future(s), Psychological Perspectives on Literature: Dissident Freudian and Non-Freudian, and co-editor of A Postmodern Reader (with Linda Hutcheon), published by SUNY Press; author of Mots D'Ordre: Disorder in Literary Worlds, also published by SUNY Press, and Twentieth Century Blake Criticism: Northrop Frye to the Present; and co-author of Psychocriticism.

Reviews

"This book is so very topical—in the best of all possible senses. It uses contemporary films to comment upon broader social issues: violence, homophobia, sexual abuse, television, capitalism, class, marriage, ecology, democracy, greed, subcultures, and the list could go on. The fears of America—the hauntings by the Rodney King decision, presidential elections, wilding, Bensonhurst—inform and form the insights into the films as well. The mutual interplay is productive and exciting.

"The thesis that popular culture, though constrained by the Market and its values, plugs into what 'haunts' contemporary culture at large, is original, important, disturbing. This is a theoretically sophisticated work that wears its theory with grace. The bringing together of the personal 'hauntings' with the films and headlines is particularly effective. " — Linda Hutcheon, University of Toronto

"The author tackles new territory in a strikingly new fashion; it is engagingly postmodern and reader-friendly. This book begins a project of cultural redemption, in that it is valuable to the scholar and the casual reader alike, and not an elitist text in any sense. " — Wheeler Winston Dixon, University of Nebraska