Cosmology and Architecture in Premodern Islam

An Architectural Reading of Mystical Ideas

By Samer Akkach

Subjects: Architectural History/architecture
Series: SUNY series in Islam
Paperback : 9780791464120, 288 pages, June 2006
Hardcover : 9780791464113, 288 pages, May 2005

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Table of contents

Illustrations

Note to the Reader

Preface

Introduction

Abbreviations

1. Discursive Order

 

Cosmology: An Overview
Symbolism: A Critical Review
History and Symbolism
Sufism
Symbolism: A Sufi Perspective

 

2. Metaphysical Order

 

Being and Presence
The Primordial Presence
The Divine Presence
The Human Presence
The Epitome of Creation
The Presence of the Word

 

3. Cosmic Order

 

The Original Idea
Creative Breathing
The “Cloud” and Cosmic Forms
The World of Command
The World of Creation

 

4. Architectural Order

 

Gazing at the Sky
Ordering Spaces
Architecture and the Sacred
The Ka’ba: The First House
The Mosque and the Spatiality of Prayer

 

Afterword: Architecture and Cosmic Habitat

Notes

List of Arabic Manuscripts Cited

Selected Bibliography

Index

A fascinating exploration of how the transcendent is expressed in the spatial sensibility of premodern Islam.

Description

This fascinating interdisciplinary study reveals connections between architecture, cosmology, and mysticism. Samer Akkach demonstrates how space ordering in premodern Islamic architecture reflects the transcendental and the sublime. The book features many new translations, a number from unpublished sources, and several illustrations.

Referencing a wide range of mystical texts, and with a special focus on the works of the great Sufi master Ibn Arabi, Akkach introduces a notion of spatial sensibility that is shaped by religious conceptions of time and space. Religious beliefs about the cosmos, geography, the human body, and constructed forms are all underpinned by a consistent spatial sensibility anchored in medieval geocentrism. Within this geometrically defined and ordered universe, nothing stands in isolation or ambiguity; everything is interrelated and carefully positioned in an intricate hierarchy. Through detailed mapping of this intricate order, the book shows the significance of this mode of seeing the world for those who lived in the premodern Islamic era and how cosmological ideas became manifest in the buildings and spaces of their everyday lives. This is a highly original work that provides important insights on Islamic aesthetics and culture, on the history of architecture, and on the relationship of art and religion, creativity and spirituality.

Samer Akkach is Associate Professor in History and Theory of Architecture at the University of Adelaide, Australia, and the Founding Director of the Center for Asian and Middle Eastern Architecture (CAMEA).