Palimpsest - Volume #2, Issue #1 (4/2013)

Table of Contents

Editor's Introduction

http://dx.doi.org/10.1353/pal.2013.0009

Essays

Toward the "Higher Type of Womanhood": The Gendered Contours of Garveyism and the Making of Redemptive Geographies in Costa Rica, 1922–1941
Asia Leeds
http://dx.doi.org/10.1353/pal.2013.0000

A Loving Reclamation of the Unutterable: Patricia Hill Collins, Hortense J. Spillers, and Nina Simone as Excellent Performers of Nomenclature
I. Augustus Durham
http://dx.doi.org/10.1353/pal.2013.0002

It's All in the Name: Hip Hop, Sexuality, and Black Women's Identity in Breakin' In: The Making of a Hip Hop Dancer
Carol E. Henderson
http://dx.doi.org/10.1353/pal.2013.0004

Boys to Men: Getting Personal about Black Manhood, Sexuality, and Empowerment
David Ikard
http://dx.doi.org/10.1353/pal.2013.0006

Reading Will Make You Queer: Gender Inversion and Racial Leadership in Claude McKay's Home to Harlem
Charles I. Nero
http://dx.doi.org/10.1353/pal.2013.0007

Cartography of Curves: Black Women and Eros in Prose and Pictures: A Dialogue between Rachel Eliza Griffiths (photographer) and Alice Randall (novelist), with an Introduction, "Black Magic Women," by Houston A. Baker
http://dx.doi.org/10.1353/pal.2013.0008

"Do I Need a Contract to Kiss You?": Consent, Incapacitation, and The Ethics of Sex
David A. Rubin
http://dx.doi.org/10.1353/pal.2013.0010

Women, Religion, and Sexuality in Contemporary Moroccan Film: Unveiling the Veiled in Hijab al-Hob (Veils of Love, 2009)
Valérie K. Orlando
http://dx.doi.org/10.1353/pal.2013.0001

Poetic License

Nude Study
Transubstantiate
Wane and Wax
Book of Common Prayer
Caroline Randall Williams
http://dx.doi.org/10.1353/pal.2013.0003

Contributors

http://dx.doi.org/10.1353/pal.2013.0005