Explores the work of lesser-known American experimental filmmakers whose films, though well-received and influential, have been excluded from the dominant film canon.

A generously illustrated overview of, and introduction to, the entirety of Godard's work as a filmmaker and video artist.

Shows how film, literature, photography, and television news broadcasts construct myths about race, gender, sexuality, and nation and reinforce socialized ways of looking at these identities, and examines how some creative works and public reactions challenge these myths.