The Vocation of Writing

Literature, Philosophy, and the Test of Violence

By Marc Crépon
Translated by D. J. S. Cross & Tyler M. Williams

Subjects: Philosophy, Philosophy Of Language, Violence, Literature
Series: SUNY series, Literature . . . in Theory
Hardcover : 9781438469614, 212 pages, April 2018
Paperback : 9781438469607, 212 pages, January 2019

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Table of contents

Translators’ Note
Acknowledgments
Introduction: Practices of Language and Experience of Violence

1. Self-Knowledge (A Reading of Kafka’s Diaries)

2. Impossible Anamnesis (Kafka and Derrida)

3. Shares of Singularity (Celan-Derrida)

4. On a Constellation (Levinas, Derrida, Blanchot, Readers of Celan)

5. “that tumor in the memory” (Levinas)

6. On Shame (Levinas)

7. A “balancing pole” over the Abyss (Victor Klemperer and the Language of the Third Reich)

8. Duped by Violence? (A Reading of Sartre)

9. “the spirit of storytelling” (A Reading of Kertész)

10. “Surviving”: The Novel (A Reading of Kertész’s Galley Boat-Log)

11. “a profound feeling of protest” (A Reading of Singer)

12. “And nobody here knows who I am” (Emigrant Voices: Arendt, Sebald, Perec)

13. On Fear of Dying (Three Russian Stories)

Notes
Bibliography
Index

Explores how violence structures language and the writing of literature and philosophy.

Description

Within the violence our societies must confront today exists a dimension proper to language. Anyone who has been through the educational system, for example, recognizes how language not only shapes and models us, but also imposes itself upon us. During the twentieth century, this system revealed how language can condemn one to a certain death. In The Vocation of Writing, philosopher Marc Crépon explores this dimension of language, convinced that the node of all violence pertains first to language and how we make use of it. Crépon focuses on Kafka, Levinas, Singer, and Derrida, not only because each rose against commandeering language in order to warn against the next massacres, but also because their work affirms the vocation of writing—that which makes literature and philosophy the final weapon for unmasking the violence and hatred that language bears at its heart. To affirm the vocation of writing is to turn language against itself, to defuse its murderous potentialities by opening it toward exchange, responsibility, and humanity when the latter fixes the other and the world as its goals.

D. J. S. Cross is a FONDECYT Postdoctoral Fellow at the Instituto de Filosofía at the Pontificia Universidad Católica de Chile. Tyler M. Williams is Assistant Professor of Humanities at Midwestern State University.