Recounts how preservationists and environmentalists ultimately succeeded in persuading a powerful state agency to abandon its plans for privately developing Buffalo’s waterfront and instead revitalize the city by enhancing opportunities for members of the public to use and enjoy that same space.

Explores how watery spaces provoke radical modes of screening queer corporeality in a diverse range of contemporary Latin American films.

Demonstrates the fertility of the phenomenological tradition of philosophy for intergenerational justice and climate ethics.

Promotes a path of harmony between humanity and Earth by presenting a vision that is comprehensive in scope and offering a positive new identity for humanity.

Argues for a new elemental and sensory experience of God.