SUNY series in Latin American Cinema

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Ana M. López

Brings together Ana M. López's field-defining essays on Latin American film and media in one indispensable volume.

Woman-Centered Brazilian Cinema

Illuminates the complex factors that have helped or hindered creative work by and about women in the twenty-first-century Brazilian film industry.

The White Indians of Mexican Cinema

Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico.

Alton's Paradox

Uses extensive archival research to explore the manifold contributions of foreign film workers to emerging film industries in Latin America from the 1930s to early 1940s.

Pushing Past the Human in Latin American Cinema

Sheds light on emergent Latin America cinema that addresses the politics of environmental destruction, the unevenness of climate change consequences, and new ways of visualizing the world beyond the human.

Unholy Trinity

Examines representations of religion in Mexican film from the Golden Age to the early twenty-first century.

Mexico Unmanned

Demonstrates how transhistorical myths of masculinity are both perpetuated and challenged in recent Mexican cinema.

Tastemakers and Tastemaking

Considers how and why taste persists in the analysis of Mexican film and television by looking at key figures and their impact on the curation of violence.

Capitán Latinoamérica

Analyzes contemporary superhero-themed cinema, television, and web series in Latin America.

The Mexican Revolution on the World Stage

Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought.

The Projected Nation

Investigates how Argentine cinema has represented rural spaces and urban margins from the 1910s to the present.

Affectual Erasure

Comprehensive examination of how Indigenous peoples have been represented in Argentine film.

Blood Circuits

Examines how recent Argentine horror films engage with the legacies of dictatorship and neoliberalism.

Adapting Gender

Demonstrates how film adaptations intersect with feminist discourse in neoliberal Mexico.