Explores the nature and significance of Petrarch’s indebtedness to Dante in the Rime sparse.

A translation of Aristotle’s Nicomachean Ethics.

Examines works of Québécois narrative fiction from a variety of perspectives.

Nineteenth-century landscape and outdoor drawings and sketches by the Hudson River School artists and others.

Examines how globalization, technology, community, gender, identity, family, and the environment will change over the next century.

Beautifully illustrated introduction and overview to the collections of the Albany Institute of History and Art

An accessible introduction to the Bible.

Freccero argues that the Paradiso may be considered a medieval version of science fiction.

Utilizing surveys, reports, and interviews, looks at the states to see how campaign finance reforms have worked out in fact, after organizations have had a chance to adapt to them.

Presents a lively in-depth look at the efforts and struggles of the New York City Housing Partnership to build moderate and middle-income housing in New York City.

Provides an eyewitness record of the people, events, issues, and legacy of this failed convention.

Discusses why state constitutions matter, the structures and processes of governments, and the rights of citizens.

A proposal for individual responsibility in communal life.

Select papers from Oneonta’s Undergraduate Philosophy Conference.

Explores the philosophical theology of Alfred North Whitehead.

Thomas Aquinas’s earliest major treatment of God’s simplicity.

Explores how Rutini’s experimental work in sonata-allegra formal procedures played a significant role in the history of music.

Challenging the neglected aspects of American poetry.

Traces the importance and influence, in the wake of Tiberius Claudius Donatus, of Servius' Commentaries in the Middle Ages and Renaissance, especially on the magisri, the grammatici, and the mythographers.

First-ever career-spanning retrospective of the nineteenth century New York sculptor, Charles Calverley.

Highlights the work of fourteen alumni artists from the SUNY New Paltz art department.

Traces the mysterious motif of the castle defined by women across several centuries, regions, and cultural expressions.

Discusses the nature of philosophical rationality and modernity.

Argues that the Comedia de Calisto y Melibea is a drama grounded in the western humanist tradition.