A critical view of race relations on the island of Puerto Rico from 1898 to 1965.

Analyzes socially engaged art practices worldwide, linking them to decolonial struggle and critique.

Elucidates how neoliberalism rules all areas of life and operates as a form of common sense, taking Mexico as a case study.

Examines how contemporary Mexican literature uses humor to contest heteronormativity.

Ethnography situating the contemporary financial services industry in the US Virgin Islands within broader histories of racial capitalism and gender inequality.

Offers a strong critique of traditional anthropological studies from an Indigenous and postcolonial perspective.

Reconsiders key concepts in Marxist thought by examining the relationship between accumulation and subjectivity in Latin American narrative, film, and social and political theory.

Illuminates the complex factors that have helped or hindered creative work by and about women in the twenty-first-century Brazilian film industry.

Maps manifestations of the sacred and religious syncretism in Afro-Brazilian cultural forms.