The first edited volume solely dedicated to the philosophy of Adriana Cavaero.

Provides a remapping of Italian and Italian American culture by retracing trans and gender-variant experiences within Italy and along diasporic routes.

Explores the potential for a novel philosophy of history to be uncovered by tracing the connections between Giorgio Agamben's work (theoretical practice) and contemporary art (artistic practice).

Argues that Giambattista Vico's early modern account of Roman mythology was a sophisticated attempt to present an epistemological and political critique of the aristocratic way of conceiving the world.

Explores Italian filmmakers' representations of China and the Chinese, both at home and abroad.

Conversations with prominent Italian feminist thinkers Lea Melandri, Luisa Muraro, and Adriana Cavaero, as well as three essays - appearing in English for the first time - by author, journalist, and renown political figure Rossana Rossanda.

Nine masterful essays on Dante’s Divine Comedy and his political theology by one of today’s leading Italian philosophers.

Fourteen Italian philosophers reflect on how the global experience of vulnerability and precariousness—of which the Covid-19 pandemic is but one example—compels us to rethink life and collective living.

Offers a wider approach to Italian American culture, one that stresses both its material, urban components and the creativity of its formal literary codes.

A unique portrayal of the theoretical positions of eleven Italian women thinkers who share the practice of philosophy and extend philosophical work and interests beyond the realm of the discipline strictly defined.

Examines the place of book-to-film adaptations by one of Italy's most famous postwar film directors.

Traces the giallo mystery/horror genre from its genesis in Italian cinema of the 1960s and 1970s to its contemporary place in the global cult-film canon.

Argues that the Divine Comedy dramatizes the risks and rewards of competing narratives, or different ways of reading.

Explores the links between language, cultural identity, and creativity through the works of Emanuel Carnevali, one of the first Italian American authors to attain literary recognition.

Firsthand perspectives on the past, present, and future of contemporary Italian philosophy.

Dante as protector and purifier of the Church.

Documents the arc of the Italian American immigrant experience on both sides of the Atlantic.

Highlights and critically assesses the work of contemporary Italian political philosophers.

Makes the case for a distinctly Sicilian American literature.

Tracks the influence of Italian cinema on American film from the postwar period to the present.

Examines the preservation of the integrity of humanity through literature in the hells described by Dante in his Inferno and by Primo Levi in Survival in Auschwitz.

Food and its preparation play an integral role in this novel of a young Italian woman struggling to find her own identity in a family of strong personalities and colorful figures.

Examines the interplay between reading and writing in the works of Petrarch and Dante.

First English translation of Paola Masino’s Nascita e morte della massaia, her most controversial novel that provoked Fascist censorship for its critical portrayal of marriage and motherhood.

Overturns traditional views of the origins of fairy tales and documents their actual origins and transmission.

Argues there is a program of five-word utterances that imitate fallen language in Dante’s Commedia.

In Boccacio's Decameron, Cervigni sees a parodic echo of the circles of Dante's Divine Comedy, and asks whether Bocaccio envisions the voyage of the brigata as similar to Dante the Pilgrim's journey toward the center, first the abysmal center of Lucifer, then towards the highest center, God.

Addresses the implications of a document found in the Archivio di Stato di Siena which affirms a connection between Farinata degli Uberti, a Florentine conspicuously encountered by Dante the pilgrim in Inferno 10, and the Sienese Ghibellines with whom he and his fellow Florentine Ghibellines joined, in an alliance which produced the Sienese victory at the battle of Montaperti in 1260.

Argues that the analysis of movement and its correlative procession in the Divine Comedy is fundamental to an understanding of how Dante generates meaning in his poetic text.

Addresses Jacoff’s own discomfort with Dante’s reiteration of the deicide charge against the Jews in Paradiso 7 and elsewhere.

Explores Dante’s love of books.

A translation of Grazia Deledda's final novel, an autobiographically based portrayal of an Italian woman coming to terms with breast cancer at the cusp of the twentieth century.

Interdisciplinary explorations into the work of one of the premier writer-survivors of the Holocaust.

Raises the radical question of how Dante’s understanding of poetry shaped his theology, his ethics, and, more generally his sense of the organization of knowledge or encyclopedia.

Explores the lyric context of Inferno 5.

Argues that critical comments appended to early printed editions of Petrarch’s Rime sparse inflected the reception and understanding of Petrarch’s vernacular poetry in Renaissance Europe.

Explores the nature and significance of Petrarch’s indebtedness to Dante in the Rime sparse.

Freccero argues that the Paradiso may be considered a medieval version of science fiction.

Explores how Rutini’s experimental work in sonata-allegra formal procedures played a significant role in the history of music.

Examines Dante’s character of Beatrice and contends that, more than simply leading Dante to God, Beatrice allows him to see a feminine side in God, humanity, and himself.

For many immigrants, the move from Sicily to a New York tenement was accompanied by rapid, significant, and often surprisingly satisfactory changes in a wide variety of social relationships. Many of these changes can be traced to the influence of a changing housing environment.