Examines Buddhism, Confucianism, and Christianity in Korea, focusing on their mutual accommodation, exclusion, conflict, and assimilation.

Uses two case studies to demonstrate how neoliberal reforms in India have de-democratized labor politics.

A comprehensive analysis of the transformations of ancient history in early Chinese texts.

Considers film as a form of Buddhist ritual and contemplative practice.

Examines how embodiment is conceived and experienced in South Asian religions.

Explores why authoritarian regimes bother to hold elections.

Confucian philosopher Xunzi’s moral thought is considered in light of the modern focus on self-realization.

Challenges the accepted wisdom about women and gender roles in medieval China.

A regional and transnational history of anarchism in Korea.

Presents a twenty-first-century, progressive, liberal Confucianism.

Considers the role of hiddenness in the history of cultural production in premodern China.

Shows how the text evolved from a non-narrative historical record into a Confucian classic.

The first major exhibition in the United States of chaekgeori painting, including on view for the first time many screens from private collections and various Korean institutions.

Using Chinese thought, explores how non-Western thought can structure generally applicable social and political theory.

Explores the activities and political personas of women activists in Shiv Sena, a militant Indian political party.

Discusses the origins and cultural history of the Theravada Buddhist ideals behind the Thai institution of monarchy.

Discusses the conditions of possibility for intercultural and comparative philosophy, and for crosscultural communication at large.

Employs Robert Bellah’s notion of civil religion to explore East Asia’s Confucian revival.

Discusses philosophers Mencius and Aristotle as socio-ecological thinkers.

A translation and discussion of the central Confucian text on education, Xueji (On Teaching and Learning), influential in China from the Han dynasty to the present day.

Looks at the concept of Ultimate Reality in Hinduism, Buddhism, Judaism, and Christianity.

Illustrates the changing significance of what it means to be educated, rural, and ethnic in Southwest China.

Argues that Indian cinema’s deep nineteenth-century past continues to play a vital role in its twenty-first-century present.

Explores the social disruption resulting from industrialization in a Chinese coalmining community at the turn of the twentieth century.

A theologically informed look at the postcolonial self that forms as Korean immigrants confront life in the United States.