Assesses the range and magnitude of Robert Gardner’s achievements as a filmmaker, photographer, writer, educator, and champion of independent cinema.

Documents the groundbreaking art of nationally renowned metalsmith Myra Mimlitsch-Gray.

Presents new scholarship, images, and primary sources that explore the art and legacy of a critical yet under-recognized figure in Abstract Expressionism and twentieth-century American art.

Informative and entertaining introduction to the study of popular culture.

Argues that Indian cinema’s deep nineteenth-century past continues to play a vital role in its twenty-first-century present.

Provides sophisticated theoretical approaches to Latin American cinema and sexual culture.

A rare look at Spike Lee’s creative appropriation of the documentary film genre.

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory.

Details how presidents utilize mass media to justify foreign policy objectives in the aftermath of 9/11.

Updated version of an engaging overview of the television situation comedy.

The catalogue for a two-part exhibition that presents more than sixty compelling photographs—including prints by Eugène Atget and Berenice Abbott—exploring major themes in modern photography, donated by leading photography specialist and dealer Howard Greenberg.

Documents the Samuel Dorsky Museum of Art’s exhibition of work by Guyana-born contemporary artist Andrew Lyght and provides new scholarship contextualizing Lyght’s work within the history and culture of Guyana and modern art.

Documents the art and science of three-dimensional abstract artworks created in the 1970s and 1980s by one of the leading innovators of fine art holography.

Redefines McEntee's place in the history of nineteenth-century American landscape painting.

Serves as a source for the exploration of many dimensions of the human experience in relation to other beings, ranging from machines and blueprints to mollusks and plants.

Interdisciplinary responses to works in the permanent collection of the Samuel Dorsky Museum of Art at SUNY New Paltz.

A one-to-one encounter with Leonardo da Vinci's work on human proportion.

Documents a volatile and productive moment in the development of film studies.

An intimate group portrait of contemporary Hudson Valley writers.

Explores how political activism, art, and popular culture challenge the discrimination and injustice faced by “illegal” and displaced peoples.

Considers the significance of female Chinese action stars in national and transnational contexts.

Examines the complexities and contradictions that arise when the monsters in the movies are children.

Everything you wanted to know about the Lacanian critique of deconstruction, but were afraid to ask the Coen Brothers.

Explores how the trope of racial passing continues to serve as a touchstone for gauging public beliefs and anxieties about race in this multiracial era.

How a collective of artists, storytellers, and activists exploited the new technology of portable video for creative and political purposes.