Presents recent work by the Brooklyn-based artist known for unsettling works that contend with such topics as domesticity, the body, consumer culture, fashion, and violence.

The first major exhibition in the United States of chaekgeori painting, including on view for the first time many screens from private collections and various Korean institutions.

Surveys the forty-year career of Carl Walters (1883-1955), a pioneer of modern ceramic art in the United States.

Showcases the latest trends in art and design, from painting and sculpture to photography, printmaking, and metals.

Presents work by Halahmy and eight other contemporary artists from Iraq: Hayder Ali, Amal Alwan, Mohammed al Hamadany, Ismail Khayat, Hanaa Malallah, Hassan Massoudy, Naziha Rashid, and Qasim Sabti.

Proposes that cinematic time is not a fixed idea, but a dynamic exchange between film and viewer.

Combines psychoanalysis, queer theory, masculinity studies, and cultural studies to explore contemporary manhood in film.

How Hollywood biopics both showcase and modify various notions of what it means to be an American.

Explores sacrificial practices across a range of contexts from prehistory to the present.

Analyzes the diverse roles and pervasive presence of disability in Latin American literature and film.

A wide-ranging and accessible approach to Godard’s later work, and a major intervention in the study of film and ethics.

Interprets popular art forms as exhibiting core anarchist values and presaging a more democratic world.

Documents the city’s surviving grain elevators and their profound influence on twentieth-century architecture.

Assesses the range and magnitude of Robert Gardner’s achievements as a filmmaker, photographer, writer, educator, and champion of independent cinema.

Documents the groundbreaking art of nationally renowned metalsmith Myra Mimlitsch-Gray.

Presents new scholarship, images, and primary sources that explore the art and legacy of a critical yet under-recognized figure in Abstract Expressionism and twentieth-century American art.

Informative and entertaining introduction to the study of popular culture.

Argues that Indian cinema’s deep nineteenth-century past continues to play a vital role in its twenty-first-century present.

Provides sophisticated theoretical approaches to Latin American cinema and sexual culture.

A rare look at Spike Lee’s creative appropriation of the documentary film genre.

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory.

Details how presidents utilize mass media to justify foreign policy objectives in the aftermath of 9/11.

Updated version of an engaging overview of the television situation comedy.

The catalogue for a two-part exhibition that presents more than sixty compelling photographs—including prints by Eugène Atget and Berenice Abbott—exploring major themes in modern photography, donated by leading photography specialist and dealer Howard Greenberg.

Documents the Samuel Dorsky Museum of Art’s exhibition of work by Guyana-born contemporary artist Andrew Lyght and provides new scholarship contextualizing Lyght’s work within the history and culture of Guyana and modern art.