The first collection of essays devoted to the phenomenon of the film sequel.

Over forty works spanning the career of pioneering painter, filmmaker, writer, and performance/installation artist Carolee Schneemann.

Uses image and text to explore boundaries and points of contact between video and photography.

Examines the variety of cinematic responses to the Holocaust as well as the Shoah’s impact on cinematic expression itself.

Explores how Cuban Americans negotiate bicultural identities through cultural production.

Places anxiety at the heart of the aesthetic experience.

Examines the role of image and affect in teaching with new digital technologies and multimedia composition.

A photographic documentary of both sides of the river, from New York Harbor to Albany, updating and reprinting the classic 1910 Panorama of the Hudson.

First collection of essays on cinematic motherhood.

Explores how the suffering of African American women has been minimized and obscured in U.S. culture.

An overview of the career of Eva Watson-Schütze (1867–1935), one the foremost American women photographers of the early twentieth century.

A stunning selection of paintings by Thomas Cole, Asher B. Durand, John W. Casilear, George Inness, and others, depicting landscapes, historic sites, natural wonders, and waterways of New York State.

The definitive oral history of the Woodstock rock festival.

Explores the radical political potential of close reading to make the case for a new and invigorated psychoanalytic cultural studies.

Encourages a deep reading of a selection of essential Spanish films.

The influence of photography and visual culture on the French poet, journalist, and critic.

Uncovers the queer nature of heterosexuality on film.

An overview of an innovative and influential arts organization of the 1970s and early 1980s.

Explores the spiritual vision of Van Gogh’s painting The Night Café.

New York's fascinating history as presented in song.

Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers’ philosophies on film, fantasy, and reality.

Traces the rise of black participation in cyberspace.

Explores the relationship between philosophy and art through the work of Cuban American artist Carlos Estévez.

Feminist and psychoanalytic analysis of spectatorship.

The paradoxes of the American decadent movement in the 1890s and 1920s.