Interviews with prominent filmmakers, actors, and others on the art, craft, and business of moviemaking.

Environmental artists from Europe and North America talk about their work.

Explores European and American esoteric traditions as reflected in literature and in art.

Confronts globalization and technology from philosophical perspectives.

Looks at how therapy and the "talking cure" have been portrayed in the movies.

Features the works of nine photographers and video artists on the cutting edge of the Cuban art scene.

Considers the definitions and implications of style in Anglo-Saxon art and literature.

Shows how dominant commercial media practices secure a hold among and affect diverse national cultures.

Explores the career of one of America’s most noted printmakers and seminal role he played in bringing the arts to Woodstock, New York.

Offers a behind-the-scenes look at a significant era in the development and emergence of modern American art.

Examines recent Austen remakes as well as other “post-heritage” films and television shows to show how the past is reshaped for a contemporary market.

Career retrospective of modernist Albany painter Richard Callner.

Explores the numerous perspectives from which works of art can be experienced and understood.

Explores how we come to feel connected to those we have never met face-to-face.

Explorations in the aesthetics of waste and the material infrastructure of memory.

Drawings by one of the twentieth century’s most intellectually challenging artists.

Analyzes the depiction of rape on television network news, daytime shows, prime time programming, and alternative programming.

Lithographs by American painter George Bellows, depicting the horrors and atrocities of World War I.

Explores the historical evolution of Belgian cinema as well as its contemporary situation within the evolving contexts of global media and European unity.

Through translation and commentary, this book presents the final visionary statements of the German-Jewish philosopher Franz Rosenzweig.

Integrates contemporary film theory into the teaching of film production, presenting alternatives to the standard Hollywood model of filmmaking.

Through excerpts and profiles, this inspiring book presents the experiences of twelve African American artists who teach at traditionally White colleges and universities.

A comparative study of the French Revolution's most famous artist and a little-known illustrator.

Examines performance art and the powerful implications it holds for teaching in the schools.

Draws upon a wide range of aesthetic theories and artworks in order to challenge the view that art is valueless or purely subjective.