Examines the relationship of evil, action, and judgment in the work of Immanuel Kant, Hannah Arendt, and Jean-François Lyotard.

Juxtaposes feminist and queer activism in Britain and the United States in the face of resurgent conservatism during the 1980s.

A novel of manners set in the drawing rooms, ballrooms, and Wall Street offices in 1830s New York, dramatizing conflicts that we are still grappling with nearly two hundred years later.

A visitor's companion to New York's Letchworth State Park, richly illustrated with ninety maps and thirty-five photographs.

Shows how punk rock shaped modern culture around the world.

Conversations with prominent Italian feminist thinkers Lea Melandri, Luisa Muraro, and Adriana Cavaero, as well as three essays - appearing in English for the first time - by author, journalist, and renown political figure Rossana Rossanda.

In dialogue with Derrida, formulates a new philosophical problem - a complex aporia that underlines the topic of the handwritten as a sign of legal identification.

Presents a novel interpretation of Schelling's philosophy by way of his reading and critique of Spinoza.

Aims to construct an economic philosophy from indigenous African thought.

Explores the duality between humans and Earth through a focus on the economic system changes that began with grain agriculture and has now reached its apogee in global capitalism.

This textbook is part of a collection of course materials available to students because of a collaboration between SUNY OER Services and 64 ink™, an imprint of SUNY Press. All of the course materials ...

Examines the deep roots of the American way of war.

Traces the Trump administration's surprising support for LGBTI human rights abroad to Trump's indifference and the cynicism and political interests of Christian conservative elites.

Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.

Drawing on the thought of novelist and cultural critic Daniel Quinn, argues it is not too late to free ourselves from a culture in which we are compelled to destroy the world, one another, and even ourselves.